附录B 外文原文
My People, My Country: A New Interpretation of Chinese Main Melody Film in the New Era
The film “My people, My country” adopts an innovative narrative structure. It is divided into seven units. Such a narrative structure is unprecedented in the field of melodrama films, and “My people, My country” opens up a new form of expression for melodrama films. “Through the linear linking of common themes, the film innovates the current mode of presentation of dedication films by offering artistic interpretation of the same theme through multi-viewpoint storytelling while retaining the individuality of each chapterrsquo;s style.” Starting with segmented narrative structure, in-depth analysis of the film “My people, My country” is of great value and has a constructive role in the innovation of the narrative mode of the main melody film in the new era.
The segmented film is divided into several parts according to different perspectives such as time, plot, objects and characters, and each part is a paragraph. From the perspective of time, the fragmented treatment of time in “My people, My country” is reflected in the explicit symbols of time decomposition.The film selects seven milestones in the history of Chinarsquo;s development.
From a plot point of view, the plots of the seven units in the film “Me and My Country” are themselves independent of each other and not directly related.
Although the film adopts a fragmented narrative mode, its value construction is different from traditional segmented films. In segmented films, the film segments are composed of various links of events, and each link points to its own value, so there will be multiple value centers juxtaposed in the film, and the original center of the whole will be replaced by a fragmented platform. Throughout the film, one main thread runs through seven sections: the characters and the era, the era and the country. Each section has its own value. Each paragraph has a consistent value core:patriotism, which achieves the effect of fragmentation.
Faced with this fragmented narrative pattern, the audience shows a high degree of acceptance. On the one hand, the segmented narrative structure has similarities and differences with the scattered perspective in Chinese painting. Scattered Perspective was originally a Chinese painting term, i.e., multi-point perspective, observing and tracing a certain thing from different angles, mobile and all-round, emphasizing the subjectrsquo;s and psychological reality. The film “My people, My country” is like a Chinese landscape painting, in which seven directors tell the events of Chinese history from their own life experiences, class, and thinking point of view, in a very personal way. Each unit is its own entity, with its own style, but at the same time, they are interconnected, forming the historical process of Chinarsquo;s development for more than 70 years. In addition, the plot of the film is originally based on historical events that are well known to the Chinese people, so the audience is generally aware of the background and direction of the story, thus avoiding the confusion that a segmented narrative might cause to the audience. Therefore, in terms of aesthetic habits, Chinese audiences are quick to accept such a scattered and jumpy narrative mode.
On the other hand, the popularity of the short video industry in recent years has changed the consumption habits and aesthetic tendencies of viewers. Under the influence ofshort videos, audiences tend to grow weary of traditional lengthy narratives and are more comfortable with short bursts of fragmented expression, making segmented episodes such as “My people, My country” a huge success in the new era.
In the choice of narrative angle, “My people, My country” adheres to the creative guidance of “taking the people as the center” and “taking the people as the main body of literary and artistic expression”. As the main melody of the film, the film gives up the usual method of focusing on individual heroes and heroines, and instead expresses the grand theme of the development of the times through the stories of ordinary people, thus achieving the effect of “using the small to show the big”.
Throughshows the brilliance of collectivism through the choices made by Dong dong, an ordinary boy, and the joy and glory of the Chinese people when the Chinese womenrsquo;s volleyball team won the championship through the ordinary residents of Shanghairsquo;s Shikumen.
The reason why the film touches the audience is that it truly shows the reasonableness and vividness of individual emotions, demands and interests in the face of national interests, and the struggle and hardship of making choices between the state, the collective and the individual. The main melody of the film can only be more realistic and resonate with the audience if it establishes a full and three-dimensional image of ordinary people and cares about the value of individual lives under a grand narrative .
Movies use moving images as the base means of expression, and detailing is an important factor that constitutes the pictorial image of the movie, which adds endless charm to the movie art.In the film “My people, My country”, many aspects of details play a very important role.
Among all the details of the film, the details of the characters are of paramount importance. People are the main body of the film, and they are the important embodiment of the theme. The detailed depiction of the charactersrsquo; external and internal actions plays an important role in promoting the story plot and rendering the atmosphere of the story to a certain extent.
As the object details of the props, it has a significant role in showing the personality of the characters, rendering the atmosphere of life and reflecting the atmosphere of the times.In the seven units of the film, each story begins with a writing scen
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